Showing posts with label Velvet Acid Christ. Show all posts
Showing posts with label Velvet Acid Christ. Show all posts

4/9/14

Nachtmahr joins Faderhead, VAC and Psyclon 9 industrial supergroup

Four of the EBM / industrial / aggrotech scene’s best known performers have decided to form an industrial supergroup after they stumbled across a satirical article on the internet that claimed they were forming an industrial supergroup.
The group’s formation appears to have its roots in a satirical story published in August 2013 titled Faderhead, Velvet Acid Christ and Psyclon Nine form supergroup. The story claimed the front-man behind each band — Sami Mark Yahya, Bryan Erickson and Nero Bellum respectively — had formed an electro-industrial supergroup called Misunderstood Industrial Artists (M.I.A.).
According to the article, the name reflected a common sentiment experienced by each artist over many years of being an industrial music artist. For example, Psyclon 9’s Nero Bellum told of the many years of painful misunderstanding that resulted from a botched chest tattoo.
“I’ve had my share of misunderstandings, just like Bryan and Fadey,” Bellum is quoted as saying in the fictitious article. “The “Ubermensch” tattoo on my chest is a perfect example. I asked the tattooist to write “Tumor Wrench” on my chest in those big black letters but he got it all wrong, so that’s how I ended up with this tattoo instead," he said.

The 'artwork' for the new 'album'.

Although the article clearly identified itself as being satirical, the idea has nonetheless been enthusiastically embraced by fans.
“It says that it is already out. Where can I listen to it? Spotify?” enquired one fan on the official Velvet Acid Christ Facebook page. “So the article says your cd is out now. Where can I find a digital copy” said another.


Indeed, so positive was the reception that it prompted Nachtmahr front-man Thomas Rainer to personally call Faderhead's Sami Mark Yahya.
“If ever there was a misunderstood industrial musician, it would have to be Thomas Rainer,” says Yahya.
“I was just there, hanging in a club, when I suddenly get this phone call from Thomas Rainer. He told me he wanted to join, but I was apprehensive at first because I wasn't sure if he knew what hanging with Faderhead was all about. But then he started to get really emotional and told me how Misunderstood Industrial Artists finally made him realise that he wasn't alone. That made me think. Maybe I can hang out with this guy?"
Rainer elaborates: “Fans may recall that my Nachtmahr Facebook page was taken down early this year. This was such a shock to me. How was I meant to know that my stage show and wardrobe were emulating this so-called ‘totalitarian’ aesthetic? People have so got the wrong idea about me. I’d never even heard of those ‘swastika’ things until after the account was closed. I mean, this symbol is banned in Austria so how would I possibly known what one looks like? Some people like camping and fishing and others like fast cars or motorbikes. Me? I just happen to like military uniforms and armbands. I don’t do it for attention, it’s just who I am and what I like. Especially if there are nekkid hot chicks involved and they’re like totally making out.”

Misunderstood… by Misunderstood Industrial Artists is out now.


Note: yes, it’s satirical

8/7/13

Faderhead, Velvet Acid Christ and Psyclon Nine form supergroup

The creative minds behind three of the scene’s best known EBM / industrial / aggrotech bands have joined forces and formed an “industrial supergroup” said to be of a scale likely to rival Bruderschaft.
M.I.A. (Misunderstood Industrial Artists) is the name of the new project headed by Sami Mark Yahya, Bryan Erickson and Nero Bellum, better known as the creative forces behind Faderhead, Velvet Acid Christ and Psyclon Nine respectively. In a recent joint statement announcing the group’s imminent debut album, Misunderstood…, the trio said they formed the electro supergroup in an effort clarify the many misunderstandings that had befallen them in recent years.

Says Yahya: “I was just hangin’ in a club, you know, after the show. I had a glass in one hand and a pen in the other so I could sign autographs. The problem is, I don’t have any more free hands. Sometimes I swap the pen in my autograph-signing hand for my phone, but that still doesn’t leave me with enough free hands.
“There were all these people giving me their CD or asking me about the software I use to make music, and of course I couldn’t respond properly since I didn’t have any free hands! I think some of the fans got a bit upset by that, but in reality it was all a misunderstanding. It’s like when people poke my shoulder. I hate that. I’ve got a bad tendon from holding a pen or a phone in my hand all the time, and people just don't realise that.
“That’s when it hit me: surely I can’t be the only misunderstood industrial artist? Then I thought of Bryan Erickson from Velvet Acid Christ and that Nero dude from Psyclon Nine. I bet they’ve had similar experiences.

The artwork for the new industrial supergroup's debut album.

Erickson takes up the slack: “I was apprehensive at first but after the call from Fadey the idea really grew on me. I told him how my heart ached because I truly understood how he felt, and maybe we could collaborate on something together? Next thing you know, we’ve got that Nero guy on the phone, and before you know it we’re in the studio, talking about and expressing our feelings, and recording an album together.
Bellum continues: “Yeah, I’ve had my share of misunderstandings, just like Bryan and Fadey. The “Ubermensch” tattoo on my chest is a perfect example. I asked the tattooist to write “Tumor Wrench” on my chest in those big black letters but he got it all wrong, so that’s how I ended up with this tattoo instead.”
Erickson concludes: “I think Misunderstood… will be a great album. We’ve got a tour planned as well and I’m really looking forward to leaving my mother’s basement. It’ll be awesome. Well, as long as I don’t have to play to crowds of, like, 50 people.”

M.I.A. – Misunderstood... is out now.

Note: Yes, it's satirical.