I’ve been a fan of the Endzeit Bunkertracks compilations
ever since I got my hands on the first edition of this excellent EBM,
industrial, electro, aggrotech (or whatever the kids call it these days) compilation
back in 2005.
The complete Endzeit Bunkertracks compilations, from Act I to VI.
The Endzeit Bunkertracks are by Alfa Matrix — a Belgian record label
that specialises in EBM, industrial music and a whole loads of other
darker-leaning electronic sounds. And what I like about every Endzeit Bunkertracks
compilation CD is the fact that it’s a straightforward yet somewhat daring
concept given that we live in an age of instantaneous digital gratification.
With Endzeit Bunkertracks you basically get four compilation
CDs of tracks (typically remixed tracks) from various artists, combining established
artists with a whole lot of up-and-comers. The compilations CDs are beautifully
packaged in cardboard sleeves, which sit in a box that has traditionally come
with commissioned artwork. Though the notion of “rare” tracks is close to redundant
in a digital age, the majority of published tracks are said to be rare or
unreleased at least as far as the physical release is concerned.
I can happily say that to date these compilations were responsible
for introducing me to some of my all-time favourite dark, growly, stompy
electronic music tunes. And yet, I’d be lying if I said I could readily
identify as much as 75 per cent of the artists without referring to the liners
notes or looking at my screen.
Despite this, I always eagerly anticipate the imminent
release of a new Endzeit Bunkertracks instalment. Last year, this came in the
form of Endzeit
Bunkertracks Act VI.
Endzeit Bunkertracks VI including Endzeit 6 Sound Card. Sounds
From The Matrix 13 was also included as part of the package (not shown).
From The Matrix 13 was also included as part of the package (not shown).
This means the compilation came with no less than — get this
— 126 tracks. As one friend pointed out upon discovering this fact: “That’s too
much music.” On one hand, a true cynic might suspect that the download-only
tracks didn’t pass the cut for the pressed product. On the other, all this
value kind of worries me because it shows just how much further an independent
record label like Alfa Matrix has to go to just to register on people’s consciousnesses
(apparently that’s not a word) .
The fact is, I like physical media, and I feel this is an important
part of the Endzeit Bunkertracks package. You could call it artful packaging or
trim; for me it comes down to being a pleasing product, much like the polished
chrome on a motorcycle or the leather interior on a new car.
Another point. I rate Endzeit Bunkertracks as some of the very
best industrial music compilations from a
record label. I say that because record label-derived compilations have
traditionally been kind of sketchy in my view as their objective is inevitably
to push a roster. Those free CDs on magazine covers? They tend to be less hit
and miss (depending on the originating magazine) and in many cases can be downright
excellent — for the simple reason that they’re not bound to an individual
record label.
But in this case, Endzeit Bunkertracks VI has 126 tracks
from 108 artists. Not a bad effort for a small independent label.
I’m fortunate to own all six Endzeit Bunkertracks compilations to date. I’ve also heard that some of
them are difficult to come by, especially Endzeit Bunkertracks IV. Do you own any Endzeit compilations? Are you
hunting down a particular edition? Do you have a favourite?
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